{"id":2,"date":"2010-10-07T15:31:13","date_gmt":"2010-10-07T19:31:13","guid":{"rendered":"http:\/\/donvoisine.com\/?page_id=2"},"modified":"2026-09-07T17:34:09","modified_gmt":"2026-09-07T21:34:09","slug":"about","status":"publish","type":"page","link":"http:\/\/donvoisine.com\/?page_id=2","title":{"rendered":"Resume"},"content":{"rendered":"

DON VOISINE <\/strong><\/p>\n

SOLO and TWO PERSON EXHIBITIONS<\/strong><\/p>\n

2027
\nMcKenzie Fine Art, New York, NY (upcoming)<\/p>\n

2025
\nMcKenzie Fine Art, New York, NY “enact\/re(d)act”<\/p>\n

2024
\nCove Street Arts, Portland, ME “Now Away”<\/p>\n

2023
\nMcKenzie Fine Art, New York, NY<\/p>\n

2022
\nRobischon Gallery, Denver, CO (catalogue)
\nPazo Fine Art, Kensington, MD \u201cThe Spaces In Between, Ruri Yi \u2013 Don Voisine\u201d (catalogue)
\nPamela Salisbury Gallery, Hudson, NY “On Point”<\/p>\n

2021
\nMcKenzie Fine Art, New York, NY<\/p>\n

2020
\nPamela Salisbury Gallery, Hudson, NY \u201cTime Out\u201d (catalogue)<\/p>\n

2019 \u2013 20
\nRobischon Gallery, Denver, CO<\/p>\n

2019
\nMcKenzie Fine Art, New York, NY<\/p>\n

2018
\nGregory Lind Gallery, San Francisco, CA \u201cBlues and the Abstract Truth\u201d<\/p>\n

2017
\nMcKenzie Fine Art, New York, NY
\nRobischon Gallery, Denver, CO<\/p>\n

2016
\nCenter for Maine Contemporary Art, Rockland, ME \u201cX\/V,\u201d (catalogue)
\ndr. julius | ap galerie, Berlin, Germany \u201cBlack Out: Don Voisine \u2013 Jan Maarten Voskuil\u201d
\nJeff Bailey Gallery, Hudson, NY<\/p>\n

2015
\nMcKenzie Fine Art, New York, NY
\nRobischon Gallery, Denver, CO<\/p>\n

2014
\nGregory Lind Gallery, San Francisco, CA\u00a0 \u201cCary Smith \u2013 Don Voisine\u201d\u00a0 (catalogue)
\nPeter Blake Gallery, Laguna Beach, CA
\nFred Giampietro Gallery , New Haven, CT<\/p>\n

2013
\nMAT\/tam 20, Spazio Isolo, Verona, Italy
\ndr. julius | ap galerie, Berlin, Germany \u201cCriss Cross Straight Across: Gilbert Hsiao and Don Voisine\u201d
\nMcKenzie Fine Art, New York, NY<\/p>\n

2012
\nGregory Lind Gallery, San Francisco, CA
\nAlejandra von Hartz Gallery, Miami, FL<\/p>\n

2011
\nMcKenzie Fine Art, New York, NY
\nIcon Contemporary Art, Brunswick, ME<\/p>\n

2010
\nNew Arts Program Exhibition Space, Kutztown, PA
\nNorthampton Community College, Bethlehem, PA
\nReading Area Community College, Reading, PA<\/p>\n

2009
\nMcKenzie Fine Art, New York, NY (catalogue)
\nGregory Lind Gallery, San Francisco, CA<\/p>\n

2008
\nIcon Contemporary Art, Brunswick, ME<\/p>\n

2007
\nMcKenzie Fine Art, New York, NY \u201cMark Dagley, Don Voisine\u201d<\/p>\n

2006
\nAbaton Garage, Jersey City, NJ
\nMetaphor Contemporary Art, Brooklyn, NY<\/p>\n

2005
\nIcon Contemporary Art, Brunswick, ME<\/p>\n

1998
\nMargaret Thatcher Projects, New York, NY “Unadorned”
\nJune Fitzpatrick Gallery, Portland, ME<\/p>\n

1990
\nDeson Saunders Gallery, Chicago, IL<\/p>\n

1988
\nKingsborough Community College, Brooklyn, NY\u00a0 \u201cDon Voisine, Katherine Bradford\u201d<\/p>\n

1987
\nMarianne Deson Gallery, Chicago, IL<\/p>\n

1985
\nPostmasters Gallery, New York, NY
\n22 Wooster Gallery, New York, NY<\/p>\n

1982
\nMoming Arts Center, Chicago, IL<\/p>\n

1980
\n80 Papers, New York, NY<\/p>\n

GROUP EXHIBITIONS<\/strong><\/p>\n

2026
\nRaum schaffen (Creating Space), Galerie Floss & Schultz, Cologne, Germany
\nRattle and Hum, Galli-Curci Project Space, Margaretville, NY
\nSpectrum, Kristen Lorello Gallery, New York, NY
\nHitzefrei!! K\u00fchle Farben, Galerie Floss & Schultz, Cologne, Germany
\nRepetition and Seriality, McKenzie Fine Art, New York, NY
\nDistant Lands. Ligenza Moore Gallery and Sculpture Garden, Cold Spring, NY
\nThat\u2019s Life, Icebox4 at 128 Rivington Street, New York, NY
\nAbstract by Definition: An Index, American Abstract Artists 90th Anniversary Exhibition, Art Cake, Brooklyn, NY<\/p>\n

2025
\nPetitesses, Galerie Floss & Schultz, Cologne, Germany
\nBeyond\u2026 Au-del\u00e0\u2026 a satellite project of the 8th Biennale of Non-Objective Art, Ayn Earth Studio Gallery,Istanbul, T\u00fcrkiye
\nTo The Edge, K.L.8 Gallery, Brussels, Belgium
\nDivisible\/Indivisible (At the Edge of the Lonely World), a satellite project of the 8th Biennale of Non-Objective Art, Divisible Projects, Dayton, Oh
\n4th Australian Biennale of Reductive Art, Articulate Project Space, Sydney, Australia
\n4th Australian Biennale of Reductive Art, Five Walls Project, Melbourne, Australia
\nHitzefrei, Galerie Floss & Schultz, Cologne, Germany
\nDuologies, Robischon Gallery, Denver, CO
\nDestination Earth. Ligenza Moore Gallery, Cold Spring, NY
\n…and going on, dr. julius | ap galerie, Berlin, Germany<\/p>\n

2024-25
\nAll Small, Pamela Salisbury Gallery, Hudson, NY
\ndrucken…, dr. julius | ap galerie, Berlin, Germany<\/p>\n

2024
\nCloser – Still, Columbus College of Art + Design, Columbus, OH
\nTwo\u2019D and Three\u2019D, (Boepple, Saliske, Voisine) Pamela Salisbury Gallery, Hudson, NY
\nFresh Insights: Drawings from the William Cunningham Collection, Divisible Projects, Dayton, OH
\nSzilvashi Circles, Ukrainian Museum of Contemporary Art, Kyiv, Ukraine
\nParrino – Voisine – Zucker, Abaton Project Room, New York, NY
\nZeigt Euch Konkret!, Kunstverein Wiligrad, Lubsdorf, Germany
\nSmall World, McKenzie Fine Art, New York, NY
\nParallels, Robischon Gallery, Denver, CO
\n191st Annual: Academy Style, National Academy of Design, New York, NY
\n50th Anniversary Exhibition: The Late Years: 2000 – 2024, New Arts Program, Kutztown, PA,
\nIntervals, Robischon Gallery, Denver, CO
\nGeometrix: Encoded Abstraction, Pazo Fine Art, Washington, DC<\/p>\n

2023-24
\nAll Small, Pamela Salisbury Gallery, Hudson, NY<\/p>\n

2023
\nZur Immaterialit\u00e4t der Fabre, Galerie Floss & Schultz, Cologne, Germany
\nTwenty, Minus Space, Brooklyn, NY
\nFavorite Thing, Amos Eno Gallery, Brooklyn, NY
\nA More Human Dwelling Place, George Marshall Store Gallery, York, ME
\nOn Balance, Art Cake, Brooklyn, NY (catalogue)
\nPattern, le cabinet de curiosit\u00e9 session #3, Galerie Valerie Eymeric, Lyons, France<\/p>\n

2022 \u2013 23
\nIntermediate Programme, Accrochage 2022, dr. julius | ap galerie, Berlin, Germany
\nAll Small. Pamela Salisbury Gallery, Hudson, NY<\/p>\n

2022
\nNew Realities, Galerie L\u2019Entrep\u00f4t, Monaco
\nNew York Connection, Galerie Floss & Schultz, Cologne, Germany
\nWhite Circle, Saturation Point Projects, London, UK<\/p>\n

2021 \u2013 22
\nBreak + Bleed, San Jose Museum of Art, San Jose, CA
\nAll Small, Pamela Salisbury Gallery, Hudson, NY<\/p>\n

2021
\nHere & There, Cove Street Arts, Portland, ME
\nMultilayer: Vision 20\/20,\u00a0Mecklenburgische Kunstlerhaus, Pluschow, Germany (catalogue)
\nUpspace, dr. julius | ap galerie, Berlin, Germany<\/p>\n

2020 \u2013 21
\nMultilayer: Vision 20\/20,\u00a0 Raum Schroth, Museum Wilhelm Morgner, Soest, Germany<\/p>\n

2020
\nADAPT (Iteration 3), Robischon Gallery. Denver, CO
\nGrey Gray (Matter): a global and postal social experiment, Divisible Projects, Dayton, OH
\nDie Neue Realit\u00e4t, Galerie Floss & Schultz, Cologne, Germany<\/p>\n

2019 \u2013 20
\nProof of Concept, dr. julius | ap galerie, Berlin, Germany<\/p>\n

2019
\nThe Fog of Conspiracy, Gregory Lind Gallery, San Francisco, CA
\nThe Heat of the Moment, Mckenzie Fine Art, New York, NY
\nCircles & Squares, Rick Wester Fine Art, New York, NY
\nBlack Box, La \u2018S\u2019 Grand Atelier, Vielsalm Belgium
\nArteMozione, Galerie Floss & Schultz, Cologne, Germany
\nA Short Survey of Contemporary Abstraction, Sandy Bennett Art Gallery, Bergen Performing Art Center, Englewood, NJ
\nThe World of Icons, Voloshyn Gallery, Kiev, traveled to Dzyga Arts Centre, Lviv and Ilko Gallery, Uzhorod, Ukraine<\/p>\n

2018 \u2013 19
\nBlack Box, Casino Luxemburg, Forum d\u2019art Contemporain, Luxemburg<\/p>\n

2018
\nDomestic Space \u2013 Domagk Edition, Domagk Ateliers, Halle 50, Munich, Germany
\nRNOP \u2013 Cincinnati; New Work For A New System,<\/em> Smith and Co. Cincinnati, OH
\nDecade One: Ten Years, dr. julius | ap galerie, Berlin, Germany (catalogue)
\nBlack Box, Saarlandisches Kunstlerhaus, Saarbrucken, Germany
\nGrounds for Optimism,\u00a0Tremenheere Sculpture Garden, Penzance, Cornwall, UK
\nNew Geometry II, Fred Giampietro Gallery, New Haven, CT.
\nicons \\ objects,\u00a0Mikhail Bulgakov Museum,\u00a0Kiev, Ukraine<\/p>\n

2017 \u2013 18
\nPainting Black, Raum Schroth, Museum Wilhelm Morgner, Soest, Germany (catalogue)<\/p>\n

2017
\nLife\u2019s Rich Pageant, Jeff Bailey Gallery, Hudson, NY
\n0\/1, Kiev Non Objective, Arsenal, National Art Museum, Kiev, Ukraine
\nThe Underlying Shape, Galerie Floss & Schultz, Cologne, Germany (catalogue)
\nSummer Group Exhibition, Gregory Lind Gallery, San Francisco, CA
\nRadial, Robischon Gallery, Denver, CO
\nBlack Box, Faux Mouvement Centre d\u2019Art Contemporain, Metz, France
\nTranslucent, McKenzie Fine Art, New York, NY
\nChromatopia, Tacit Contemporary Art, Melbourne, Australia
\nStart-Up!, dr. julius | ap galerie, Berlin, Germany and Galerie Robert Drees, Hanover, Germany (catalogue)
\nFill in the Blank\u2026, Texas State Galleries, Texas State University, San Marcos, TX
\nOppler, Transmitter, Brooklyn, NY
\nFiction (With Only Daylight Between Us) v.2, Class Room, Coventry, England
\ntraveled to Apothecary, Chattanooga, TN, Volunteer State Community College, Nashville, TN, University of California Berkeley, Berkeley, CA , NIAD Art Center, Richmond, CA and Raygun Projects, Toowoomba, Australia.<\/p>\n

2016 \u2013 17
\nThe Pattern Reveals Itself, Claudia Weil Galerie, Friedberg-Rinnenthal, Germany<\/p>\n

2016
\nSeeking Space: Making the Future, David & Schweitzer Contemporary, Brooklyn, NY
\nChromatic Space, Shirley Fiterman Art Center, Borough of Manhattan Community College, New York, NY
\nGathering IV, Icon Contemporary Art, Brunswick, ME
\nFiction (With Only Daylight Between Us) v.2, Corridor Projects, Dayton, OH
\ntraveled to Boeckercontemporary, Heidelberg, Germany, Angelika Studios, High Wycombe, UK and Elgin Community College, Elgin, IL
\nB&W Project\/NYC, Transmitter, Brooklyn, NY
\nBoundary Issues, Gregory Lind Gallery, San Francisco, CA
\nConstruction Site, McKenzie Fine Art, New York, NY
\nTen Ways \u2013 American Abstract Artists, dr. julius | ap galerie, Berlin, Germany traveled to RCM Galerie, Paris, France (catalogue)
\nMethod Order Metric, National Academy Museum, New York, NY
\nVisible Histories, Morris-Warren Gallery, New York, NY
\n2016\u00a0Accrochage +, dr. julius | ap galerie, Berlin, Germany
\nThe Onward of Art: American Abstract Artists 80th Anniversary Exhibition,
\n1285 Avenue of the Americas Gallery, New York, NY (catalogue)
\nGeometrix: Line, Form, Subversion, Curator\u2019s Office @Gallery 2112, Washington, D.C.
\nNew Geometry, Fred Giampietro Gallery , New Haven, CT
\nArtists of the Year, The Curator Gallery, New York, NY<\/p>\n

2015
\nIntimacy in Discourse \u2013 Unreasonable Sized Paintings, SVA Chelsea Gallery, New York, NY (catalogue)
\nMinimax, Bullet Space, New York, NY
\nThe Thing Itself, The Center for Contemporary Art, Bedminster, NJ
\nConcrete Post 3, raum2810, Bonn, Germany
\nSummer Group Exhibition, Peter Blake Gallery, Laguna Beach, CA
\nSummer Group Exhibition, Gregory Lind Gallery, San Francisco, CA
\nMaking History, Storefront Ten Eyck, Brooklyn, NY
\nTen Ways \u2013 American Abstract Artists, Derbylius Libreria Galleria d\u2019Arte,
\nMilan, Italy; traveled to Clement & Schneider, Bonn, Germany (catalogue)
\nFull Tilt, Novella Gallery, New York, NY
\nSome Assembly Required, The Curator Gallery, New York, NY (catalogue)<\/p>\n

2014 \u2013 15
\nSensory Impact, Morgan Stanley, Purchase, NY<\/p>\n

2014
\nBlack Paintings, Po Kim Studio, New York, NY
\nUn-bound-ed, Root Division, San Francisco, CA
\n173 East 94th Street \u2013 Chause\u00e9 de Waterloo 550, Middlemarch, Brussels, Belgium
\nEllipse, a partial inventory from the West, a3 gallery, Moscow, Russia
\nDoppler Shift, Visual Arts Center of New Jersey, Summit, NJ (catalogue)
\nGroup Show, Gregory Lind Gallery, San Francisco, CA
\nSummer Formal, Peter Blake Gallery, Laguna Beach, CA
\nReductions, City Ice Arts, Kansas City, MO
\nTo Leo, A Tribute from the American Abstract Artists, Sideshow Gallery, Brooklyn, NY
\nBeyond Measure, SEABA Center Gallery, Burlington, VT
\nOff Line On Mark, Parallel Art Space, Ridgewood, NY
\n30\/30 Image Archive Project (IAP) A Collective Collection, AB Contemporary, Zurich, Switzerland
\nPrivate View, by Appointment.\u00a0 Accrochage +, dr. julius | ap galerie, Berlin, Germany
\nPaperazzi 3, Janet Kurnatowski Gallery, Brooklyn, NY
\nSimplest Means, Jeff Bailey Gallery, New York, NY<\/p>\n

2013
\nCorrespondence: Ad Reinhardt at 100, TEMP Art Space, New York, NY
\nRepetitive Pattern Phobia, Atelierhof Kreuzberg, Berlin, Germany
\nCome Together: Surviving Sandy, Year 1, Industry City, Brooklyn, NY (catalogue)
\nDoppler Stop, Parallel Art Space, Ridgewood, NY
\nDynamic Invention: American Abstract Artists at 75, Brattleboro Museum and Art Center, Brattleboro, VT
\n20th Anniversary Group Exhibition, Peter Blake Gallery, Laguna Beach, CA
\nTed Larsen, Peter Millett, Don Voisine, Robischon Gallery, Denver, CO
\nEmergence, H\u00f4tel de Sauroy, Paris, France (catalogue)
\nPOI \u2013 Point of Interest, Galerie Lindner, Vienna, Austria
\nApproaching Infinity: The Collection of Richard Green, Crocker Art Museum, Sacramento, CA (catalogue)
\nSideshow Nation, Sideshow Gallery, Brooklyn, NY
\nThe Annual: 2013, National Academy Museum, New York, NY<\/p>\n

2012
\n<\/strong>30\/30 Image Archive Project (IAP) A Collective Collection, \u2013 1 (moinsun), Paris, France
\nDripping Color Amazement, Galerie oqbo, Berlin, Germany
\nLine and Plane, McKenzie Fine Art, New York, NY
\nCannonball, Frosch & Portmann, New York, NY
\nDecade \u2013 Celebrating 10 Years,<\/em> Gregory Lind Gallery, San Francisco, CA
\nDid You See Heaven: Spectra, PEREGRINEPROGRAM, Chicago, IL
\nSalon des R\u00e9alit\u00e9s Nouvelles 2012, Parc Floral de Paris, Paris, France
\nAmerican Abstract Artists International, 75th Anniversary 1936-2011, parisCONCRET, Paris, France
\nFutureShock OneTwo, dr. julius | ap, Berlin, Germany (catalogue)
\nDana Bell \/ Alasdair Duncan \/ Don Voisine, Theodore:Art , Brooklyn, NY
\nMic:Check (occupy), Sideshow Gallery, Brooklyn, NY<\/p>\n

2011 \u2013 12
\n8\u00a0 Eight American Abstract Artists Selections from the Exhibition Abstraction \u221e
\nHonoring the 75th Anniversary of the American Abstract Artists, Larry Becker Contemporary Art, Philadelphia, PA<\/p>\n

2011
\nA Romance of Many Dimensions, Brooklyn Artists Gym, Brooklyn, NY
\nAbstraction \u221e, <\/em>The Icebox, Crane Arts, Philadelphia, PA
\nGallery Artists, Icon Contemporary Art, Brunswick, ME
\nFaction, ArtStreet: Studio D, University of Dayton, Dayton, OH
\nSchnittstellen, IS Projects, Leiden, The Netherlands
\nContemporary Selections: Aligning Abstraction, National Academy Museum, New York, NY
\nGhost in the Machine, Lennon, Weinberg Gallery, New York, NY
\nPresents: Three Months of Mail Art, Hyperallergic HQ, Brooklyn, NY
\nAmerican Abstract Artists, 75th Anniversary, OK Harris Gallery, New York, NY
\nAmerican Abstract Artists International, 75th Anniversary 1936-2011, Deutscher K\u00fcnstlerbund, Berlin, Germany
\nExhibition of Work by Newly Elected Members and Recipients of Honors and Awards, American Academy of Arts and Letters, New York, NY
\nBiennial, Portland Museum of Art, Portland, ME
\nInvitational Exhibition of Visual Arts, American Academy of Arts and Letters, New York, NY
\nAn Exchange with Sol LeWitt, Cabinet, Brooklyn, NY
\nSplendor of Dynamic Structure: Celebrating 75 Years of the American Abstract Artists, Herbert F. Johnson Museum, Cornell University, Ithaca,<\/em> NY
\nWilliamsburg 2000, Art 101, Brooklyn, NY
\nBrooklyn Art Now, 111 Front Street, Brooklyn, NY
\nPlane Speaking, McKenzie Fine Art, New York, NY
\nNew Year, New Work, New Faces, <\/em>STOREFRONT, Brooklyn, NY
\n<\/em>
\n2010 \u2013 11
\nMight it Again be Somewhat Less? Eleven Positions in the Salon of the 21st Century,\u00a0 pp Projects, Hamburg, Germany
\nHigh-Def, Gregory Lind Gallery, San Francisco, CA<\/p>\n

2010
\nConcrete Things, Galerie Im Regierungsviertel, Berlin, Germany
\nPaper Works, Janet Kurnatowski Gallery, Brooklyn, NY
\nGeometric Themes and Variations, Gallery 128, New York, NY
\nEscape from New York, The Engine Room, Massey University, Wellington, New Zealand
\nInvitational Salon Exhibition of Small Works, New Arts Program, Kutztown, PA
\nAmerican Abstract Artists International, Aragonese Castle, Otranto, Italy
\nCooler Heads Prevail, Gregory Lind Gallery, San Francisco, CA
\nM5, Feldman Gallery, Pacific Northwest College of Art, Portland, OR
\nExpansion, Robischon Gallery, Denver, CO
\nTouch, ParisCONCRET, Paris, France<\/p>\n

2009 \u2013 10
\nSusanne Jung, Rolf Rose, Don Voisine, pp Projects, Hamburg, Germany<\/p>\n

2009
\nLinda Francis, Don Voisine, Joan Waltemath, Michael Zahn, Janet Kurnatowski Gallery, Brooklyn, NY
\nNext to Nothing is Everything, Reed Gallery, University of Maine at Presque Isle, ME
\nEscape from New York, Project Space Spare Room, RMIT University, Melbourne, Australia
\nForever Summer, Denise Bibro Fine Art\/Platform, New York, NY
\nChunky Monkey, Coleman Burke Gallery, New York, NY
\nPlanes of Abstraction, Center for Maine Contemporary Art, Rockport, ME
\nParty at Chris\u2019s House, Janet Kurnatowski Gallery, Brooklyn, NY<\/p>\n

2008 \u2013 09
\nCounterpoints, Robischon Gallery, Denver, CO
\nMinus Space, MOMA P.S. 1, Long Island City, NY<\/p>\n

2008
\nGeometric Abstraction, McKenzie Fine Art, New York, NY
\nShape Shifters: New York Painters, University of North Carolina, Pembroke, NC;
\ntraveled to SideShow Gallery, Brooklyn, NY
\nSpring Selections, Ober Gallery, Kent, CT
\nThe Discerning Eye of Rose Marie Frick, Aucocisco, Portland, ME
\nWords Fail Me, H29, Brussels, Belgium
\n183rd Annual: Invitational Exhibition of Contemporary Art, National Academy Museum, New York, NY (catalogue)
\nUnpainted \u2013 New Abstract Painting, Thomas Robertello Gallery, Chicago, IL
\nHorror Vacui, McKenzie Fine Art, New York, NY
\nAmerican Abstract Artists: Tribute to Esphyr Slobodkina, The Painting Center, New York, NY
\nEscape from New York, Curtin University, Perth, Australia<\/p>\n

2007
\nBrooklyn Abstract, Eyewash @ Supreme Trading, Brooklyn, NY
\nUnwrapped II: New Gifts to the Permanent Collection, Missoula Art Museum, Missoula, MT
\nContinuum: In Celebration of 70 Years of the American Abstract Artists, St. Peter\u2019s College Art Gallery, Jersey City, NJ
\nCorpse of Time, Janet Kurnatowski Gallery, Brooklyn, NY
\nIn a Series, \u2018temporary Museum of Painting (& drawing), Brooklyn, NY
\nThe Orpheus Selection: In Search of Darkness, MOMA P.S. 1, Long Island City, NY
\nSummer, Icon Contemporary Art, Brunswick, ME
\nEscape from New York, Sydney Non-Objective (SNO), Sydney, Australia
\nMaterial Matters, SideShow Gallery, Brooklyn, NY<\/p>\n

2006
\nThe Square, \u2018temporary Museum of Painting (& drawing), Brooklyn, NY
\nAbstractions, Spencertown Academy Arts Center, Spencertown, NY
\nInaugural Exhibition, Ober Gallery, Kent, CT
\nInvitational Salon Exhibition of Small Works, New Arts Program, Kutztown, PA
\nPresentational Painting III, Hunter College\/Times Square Galleries, New York, NY
\n17th Anniversary Group Exhibition, Icon Contemporary Art, Brunswick, ME
\nWar Is Over, SideShow Gallery, Brooklyn, NY<\/p>\n

2005
\nOptical Simulations, Yellow Bird Gallery, Newburgh, NY
\nArt Makes a Difference, Center for Maine Contemporary Art, Rockport, ME
\nPaint it with Black, Betty Cuningham Gallery, New York, NY
\nIdeal: Selections from the American Abstract Artists, Metaphor Contemporary Art, Brooklyn, NY
\nSublime Geometries, CMCA in Portland at June Fitzpatrick Gallery, Portland, ME<\/p>\n

2004
\nMerry\/Peace, SideShow Gallery, Brooklyn, NY
\nNaked, June Fitzpatrick Gallery, Portland, ME
\nSublime Geometries, Center for Maine Contemporary Art, Rockport, ME
\nPierogi a Go-Go, Pierogi, Brooklyn, NY
\nGroup Exhibition, Icon Contemporary Art, Brunswick, ME
\nEccentric Spaces: The Fiction of Place, N3 Project Space, Brooklyn, NY<\/p>\n

2003
\nMerry\/Peace, SideShow, Brooklyn, NY
\nIncredible Lightness of Being, Black & White Gallery, Brooklyn, NY<\/p>\n

2002
\nBreathing Room, Margaret Thatcher Projects, New York, NY
\nAbstract Dilemmas: American Abstract Artists, Martin Art Gallery, Muhlenberg College, Allentown, PA
\nBrooklyn Rail Presents: Made In Brooklyn, Wythe Studios, Brooklyn, NY
\nround\/rounded, S. Cono, Brooklyn, NY<\/p>\n

2001
\nSharon Brant, Robert Sagerman, Don Voisine, Margaret Thatcher Projects, New York, NY
\nMerry\/Peace, SideShow, Brooklyn, NY
\nTondo Rondo, C. W. White Gallery, Portland, ME
\nRepetition in Discourse, The Painting Center, New York, NY
\nGroup Exhibition, Icon Contemporary Art, Brunswick, ME
\nAbstraction: 22 Visions, Maine Art Gallery, Wiscasset, ME
\nInaugural Invitational Exhibition, Collaborative Concepts, Beacon, NY
\nBibliLOtech, Kerry Inman Gallery, Houston, TX
\nIn House, Margaret Thatcher Projects, New York, NY<\/p>\n

2000
\nThe Toy Show, 41\/2 Projects, Brooklyn, NY
\nPunk & Bloat, Molloy College, Rockville Centre, NY
\nSignificant Pursuits: Paint and Geometry, Smack Mellon Studios, Brooklyn, NY
\nToward The New: American Abstract Artists, Hillwood Art Museum, Long Island University, C.W. Post Campus, Brookville, NY
\nSummer Indulgence, Margaret Thatcher Projects, New York, NY
\nSeparated At Birth: Selections from the Fidelity Corporate Art Collection, Fidelity Investments, Boston, MA
\nAn Homage to Albert Pinkham Ryder, The State of Art Gallery, Brooklyn, NY<\/p>\n

1999
\nInaugural Salon \u2013 Winter 1999, Splendid, Brooklyn, NY
\nThe Passion\/Passions of Art, Richard Anderson Fine Arts, New York, NY<\/p>\n

1998
\nMorir So\u00f1ando, 76 Varick, New York, NY
\nBig Little Drawing Show, N3 Project Space, Brooklyn, NY
\nAfter Dark, Center for Maine Contemporary Art, Rockport, ME<\/p>\n

1996
\nDefining Spaces, Sigma Gallery, New York, NY<\/p>\n

1995
\nReconstructivism, Space 504, New York, NY
\nWorks on Paper, S. Cono, Brooklyn, NY<\/p>\n

1994
\nDrop Dead Painting, 103 Reade Street, New York, NY<\/p>\n

1992
\nSalon of the Mating Spiders, Herron Test Site, Brooklyn, NY<\/p>\n

1991
\nAroostook: Art in Isolation, Center for Maine Contemporary Art, Rockport, ME<\/p>\n

1990
\nDowntown\/Downeast, Center for Maine Contemporary Art, Rockport, ME
\nMemory and Evidence, Painting Space 122, New York, NY
\nJanuary 1990, Sally Hawkins Gallery, New York, NY<\/p>\n

1989
\nElements of Style: A History of the Dividing Line, Deson Saunders Gallery, Chicago, IL
\nPoetry and Process; 9 Abstract Artists, Pratt Manhattan Gallery, New York, NY and Schafler Gallery, Pratt Institute, Brooklyn, NY
\nActs Gallery, Fort Kent, ME<\/p>\n

1988
\nAbstraction, Marianne Deson Gallery, Chicago, IL<\/p>\n

1986
\nEight Artists, Postmasters Gallery, New York, NY
\nNew Visions in Contemporary Art: The RSM Company Collection, Cincinnati Art Museum, Cincinnati, OH
\nPaintings and Objects, Postmasters Gallery, New York, NY<\/p>\n

1985
\nAmerican Abstraction: 4 Currents, Louis Meisel Gallery, New York, NY
\nNew Artists\/New Work, Marianne Deson Gallery, Chicago, IL
\nObjects of Comfort, City without Walls, Newark, NJ<\/p>\n

1984
\nSmall Works: New Abstract Painting, Muhlenberg College, Allentown, PA<\/p>\n

1982
\nWorks on Paper, 80 Papers, New York, NY<\/p>\n

1981
\nAnnual Small Works Exhibit, 80 Washington Square East Gallery, New York, NY
\nWorks on Paper, 80 Papers, New York, NY<\/p>\n

1979
\nInaugural Exhibition, Black Brook Gallery, Lake Placid, NY<\/p>\n

1976
\nMetro Show, Metro Gallery, Rochester, NY
\nJ. N. Niepce Memorial Exhibit, CalArts, Valencia, CA<\/p>\n

1975
\nRochester-Finger Lakes, Memorial Art Gallery, Rochester, NY<\/p>\n

1974
\nThree Painters, Canal National Bank, Portland, ME
\nHaystack, Haystack Mountain School of Crafts, Deer Isle, ME<\/p>\n

1973
\nConcept \u2013 Exhibition of Paintings, Concept, Portland, ME
\nSkowhegan Award Competition, Portland Museum of Art, Portland, ME<\/p>\n

BIBLIOGRAPHY<\/strong><\/p>\n

2025
\nWarnock, Molly. Review, Artfoirum, October
\nSimon, Adam. \u201cBettina Bohm and Don Voisine: Affect as Subject\u201d Two Coats of Paint, June 6
\nShapiro, Laurie Gwen. \u201cSensuously Severe: Why Artists Call Don Voisine the Real Deal\u201d Art Spiel, May 20
\nHaber, John. \u201cSymmetry Breaking,\u201d Haberarts.com, <\/em>June 13<\/p>\n

2024
\nJenkins, Mark. The Washington Post, March 1<\/p>\n

2023
\nCartwright, Jacob. \u201cDon Voisine: Twilight of the Modern,\u201d Two Coats of Paint, June 23
\nYau, John. \u201cCan Geometric Abstraction Stay Fresh?\u201d Hyperallergic, June 21<\/p>\n

2022
\nAshley, Chris. Catalogue text for \u201cThe Clock\u201d Robischon Gallery, Denver, CO
\nCorio, Paul. Catalogue text for \u201cThe Spaces In Between, Ruri Yi \u2013 Don Voisine,\u201d Pazo Fine Art, Kensington, MD
\nJenkins, Mark. The Washington Post, July 1<\/p>\n

2021
\nKalina, Richard. “The Changing Boundaries and Nature of The Modern Art World,” Bloomsbury, London, UK
\nMcGlynn, Tom. The Brooklyn Rail, June
\nYau, John. \u201cDon Voisine\u2019s Restless Shapes,\u201d Hyperallergic, May 22
\nOrtiz, Lori. \u201cThe Painted Geometries of Don Voisine,\u201d Live Mag! May 20<\/p>\n

2020
\nMorgan, Robert C. \u201cDon Voisine: Time Out<\/a>,\u201d The Brooklyn Rail, <\/em>September
\nNelson, Avery Z.\u00a0 Catalogue text for \u201cTime Out,\u201d Pamela Salisbury Gallery, Hudson, NY
\n\u201cRemembering Concept, A School of Visual Arts in Portland, on its 50th Anniversary<\/a>,\u201d Maine Arts Journal, Winter
\nHunt-Duran, Samantha. \u201cRichard Serra, Don Voisine, Stephen Westfall, Kate Petley, Derrick Velasquez,\u201d Dariamag.com, May 16<\/p>\n

2019
\nBeem, Edgar Allen. \u201cMaine in the Abstract<\/a>,\u201d Maine Arts Journal, Summer
\nYau, John. \u201cExcavating the Radical Roots of Abstract Painting<\/a>,\u201d Hyperallergic, May 12<\/p>\n

2018
\nStuebner, Anton, \u201cDon Voisine at Gregory Lind Gallery,<\/a>\u201d NAD NOW, October 29
\nRoth, David M. \u201cDon Voisine @ Gregory Lind<\/a>,\u201d Square Cylinder, October 2
\nColes, David. \u201cChromatopia\u201d Thames & Hudson, London, UK
\nRinge, Ivo. Catalogue essay for \u201cPainting Black,\u201d <\/em>Stiftung Konzeptuelle Kunst, Soest, Germany<\/p>\n

2017
\nPaglia, Michael. \u201cShape Shifting With 4 Shows at Robischon Gallery<\/a>,\u201d Westword, August 16
\nAmbrose, David. \u201cDon Voisine Displays Strength and Fragility in Show at McKenzie Fine Art<\/a>,\u201d Whitehot Magazine, June 21
\nLive Mag! Issue 14
\nLodermeyer, Peter. Catalogue essay for \u201cThe Underlying Shape,\u201d\u00a0Galerie Floss & Schultz, Cologne, Germany
\nHaber, John. \u201cFairs Without Tourists,<\/a>\u201d Haberarts, June 21
\nYau, John. \u201cDon Voisine Makes Geometry Sexy<\/a>,\u201d Hyperallergic, May 21
\nBaron, Joan Boykoff and Reuben M. \u201cThe Marvelous Void: Exhibitions in Los Angeles and New York of John McLaughlin<\/a>,\u201d Artcritical, January 31
\nBenari, Richard. \u201cCenter for Maine Contemporary Art: Case Study: Interviews with Suzette McAvoy, Don Voisine and Lauren Henken,<\/a>\u201d\u00a0 the Finch.net, January 28
\nPaglia, Michael. \u201cAt Robischon, Eight Solos Add Up to a Major Look at Contemporary Abstraction<\/a>,\u201d Westword, January 25
\nHaber, John. \u201cGive It Time,\u201d<\/a>\u00a0 Haberarts, January 9<\/p>\n

2016
\nLittle, Carl. \u201cDon Voisine\u201ds Universe of Shapes<\/a>,\u201d Hyperallergic, October 22
\nKany, Daniel. \u201cGather IV showcases a strong lineup in abstraction<\/a>,\u2019 Portland Press Herald, October 2
\nKany, Daniel. \u201cDon Voisine\u201ds \u2018X\/V\u2019 is cool, calm and perfectly contained,<\/a>\u201d Portland Press Herald, September 11
\nGreenleaf, Ken. Catalogue essay for X\/V, Center for Maine Contemporary Art, Rockland, ME
\nMaking History Bushwick, <\/em>published and edited by Arts in Bushwick, Brooklyn, NY
\nRoth, David M. \u201cBoundary Issues @ Gregory Lind,<\/a>\u201d Square Cylinder, August 12
\nD\u2019Agostino, Paul. \u201cView Inside: Don Voisine & Oriane Stender<\/a>,\u201d Art[inter]New York, August 2
\nFischman, Zach. Little Star Weekly<\/a>, July 15, 2015
\nMicchelli, Thomas. \u201cPainting from the Ground Up,<\/a>\u201d Hyperallergic, July 9
\nPanero, James. \u201cGallery Chronicles,<\/a>\u201d The New Criterion, <\/em>March
\nWilkin, Karen. Catalogue essay for \u201cThe Onward of Art: American Abstract Artists 80th Anniversary Exhibition,\u201d American Abstract Artists, New York, NY<\/p>\n

2015
\nBui, Phong. \u201cIntimacy in Discourse: Unreasonable Sized Paintings\u201d SVA Chelsea Gallery, New York, NY
\nWethli, Mark. Catalogue essays for Some Assembly Required, The Curator Gallery, New York, NY
\n\u201cNegative Space: Various Artists,\u201d Post Road, issue 28
\nBrody, David. \u201cArtcritical Pick: Don Voisine at McKenzie Fine Art<\/a>,\u201d Artcritical, May 20
\nCorio, Paul. \u201cDon Voisine at McKenzie Fine Art<\/a>,\u201d Henri Art Magazine, June 2
\nPaglia, Michael. \u201cArt Review: Getting the Most out of Minimalism at Robischon and<\/a>
\nRule Galleries<\/a>,\u201d Westword, June 2
\nGoodrich, John. \u201cPaintings with Pizzazz, and a Rhythmic Edge<\/a>,\u201d Hyperallergic, June 9
\nAlexander, Steven. \u201cDon Voisine at McKenzie,<\/a>\u201d Steven Alexander Journal, June 9
\nHaber, John. \u201cCleaning House<\/a>,\u201d Haberarts, June 10
\nWilliams, John. \u201cCanvas and Verse<\/a>,\u201d The New York Times, June 24
\nGat, Yifat. The Black & White Project: A Survey of Contemporary Black and White Paintings w\/an essay by David Rhodes. Saint- Chamas, France<\/p>\n

2014
\nAppel, Allan. \u201cGeometry Lessons on Orange Street<\/a>,\u201d New Haven Independent, January 16
\nJohnson, Ken. \u201cSimplest Means<\/a>,\u201d The New York Times, January 24
\nKobasa, Stephen Vincent. \u201cDon Voisine: New Work<\/a>,\u201d Art New England, March\/April
\nYau, John. \u201cJulije Knifer\u2019s Unstable and Expansive Geometry<\/a>,\u201d Hyperallergic, March 15
\nKabat, Jennifer. \u201cSimplest Means<\/a>,\u201d Frieze Magazine, March
\nKany, Daniel. \u201cJosefina Auslender\u2019s astonishing drawings at Maine Jewish Museum<\/a>\u201d\u00a0 Portland Press Herald, April 21
\nD\u2019Agostino, Paul. \u201c4 Art Exhibits You Need to See,\u201d The L Magazine, June 5
\nGoldner, Liz. \u201cMatthew Deleget, Hadi Tabatabai, Don Voisine,\u201d Art Ltd., July\/August
\nD\u2019Agostino, Paul. \u201c4 Art Exhibits You Need to See,\u201d The L Magazine, July 3
\nBergman, Jeff. \u201cColor as Structure & Road Trip List<\/a>,\u201d Atlas, July 11
\nMattera, Joanne. \u201cColor as Structure at McKenzie Fine Ar<\/a>t,\u201d Joanne Mattera Art Blog, July 25
\nD\u2019Agostino, Paul. \u201c4 Art Exhibits You Need to See,\u201d The L Magazine, July 31
\nCorio, Paul. \u201cTo Leo, A Tribute-Sideshow Gallery,<\/a>\u201d On-Verge, <\/em>September 17
\nBirmingham, Mary. \u201cIn the Eye of the Beholder, A Look at the Works in Doppler Shift,\u201d catalogue essay for Doppler Shift, <\/em>Visual Arts Center of New Jersey, September 28
\nMicchelli, Thomas. \u201cThe Anti-History of Optical Art,\u201d catalogue essay for Doppler Shift, <\/em>Visual Arts Center of New Jersey, September 28
\nLandi, Ann. \u201cColor as Structure<\/a>,\u201d Artnews, <\/em>October
\nMattera, Joanne. \u201cA Walk Through Doppler Shift<\/a>,\u201d Joanne Mattera Art Blog, October 2
\nYau, John. \u201cRigorous Beauty and Beautifully Rigorous,\u201d catalogue essay for
\nDon Voisine \/ Cary Smith, <\/em>Gregory Lind Gallery, San Francisco, CA
\n<\/em>Flam, Jack, ed. \u201cCome Together: Surviving Sandy, Year 1, <\/em>Milan: Skira Publishing
\nPanero, James. \u201cGallery Chronicle<\/a>,\u201d The New Criterion, <\/em>November
\nParks, John A. \u201cUniversal Principles of Art,\u201d <\/em>Beverly, MA: Rockport Publishers
\nBrock, Hovey. \u201cProjector,<\/a>\u201d Come Together Sandy, <\/em>November
\nRoth, David M. \u201cDon Voisine and Cary Smith @ Gregory Lind<\/a>,\u201d Square Cylinder, <\/em>December 4
\nWaltemath, Joan. \u201cCary Smith and Don Voisine, Orthogonal and Diagonal<\/a>,\u201d The Brooklyn Rail, <\/em>December<\/p>\n

2013
\nRoth, David. \u201c2012 Year in Review<\/a>\u201d Square Cylinder, January 6
\nDaniels, Diana.\u00a0 \u201cStepping Outside of Ourselves,\u201d catalogue essay for Approaching Infinity, <\/em>Crocker Art Museum, Sacramento, CA
\n<\/em>Belz, Carl. \u201cElusive Geometries: Don Voisine and Ken Greenleaf<\/a>,\u201d Left Bank Art Blog,\u00a0<\/em>January 25
\nButler, Sharon. \u201cParis: A multiplicity of simple interactions<\/a>,\u201d Two Coats of Paint (blog), <\/em>April 14
\nGreenwald, Xico. \u201cAbstraction in Bloom<\/a>,\u201d The New York Sun, <\/em>May 9
\nHaber, John. \u201cAbstraction\u2019s Toolbar<\/a>,\u201d Haberarts.com, <\/em>May 17
\nYau, John. \u201cGeometry Under Pressure:\u00a0 Don Voisine\u2019s Painting<\/a>s,\u201d Hyperallergic, <\/em>May 19
\nSmith, Roberta. \u201cDon Voisine,<\/a>\u201d The New York Times, <\/em>May 24
\nPlagens, Peter. \u201cDon Voisine,\u201d The Wall Street Journal, <\/em>May 25
\nDye, Lindsay. \u201cDon Voisin<\/a>e,\u201d NY Arts Magazine, <\/em>May 29
\nPanero, James. \u201cGallery Chronicle<\/a>,\u201d The New Criterion, <\/em>June 1
\nPobric, Pac. \u201cDon Voisine<\/a>,\u201d The Brooklyn Rail, <\/em>June 3
\nD\u2019Agostino, Paul. \u201cArt Picks from Print: Don Voisine,\u201d The L Magazine, <\/em>June 6
\nFrank, Peter. \u201cHaiku Reviews # 37<\/a>,\u201d The Huffington Post, July 9
\nMcClement, Doug. \u201cDon Voisine\u201d ArtNews, September
\nKonau, Britta. \u201cJoining Forces<\/a>\u201d Maine Home + Design, <\/em>December<\/p>\n

2012
\nSeidel, Matthias (Editor). FutureShock OneTwo Internationale Neue Konkrete +, SURFACE Book, dr. julius | ap
\nDi Pizio, Olivier and Levesque, Erik. \u201cR\u00e9alit\u00e9s Nouvelles 2012,\u201d R\u00e9alit\u00e9s Nouvelles.
\nPanero, James. \u201cGallery Chronicle,<\/a>\u201d The New Criterion, <\/em>February
\nHaber, John. \u201cGambling on Bushwick<\/a>\u201d Haberarts (blog), March 16
\nGrisanti, Susan. \u201cShow Stoppers,\u201d Maine Home + Design, <\/em>April
\nEyeswoon. \u201cPaintings by Don Voisine<\/a>,\u201d Made in Slant, September 14
\nRusak, Chris. \u201cColor, loud and quiet<\/a>,\u201d SFAQ, September
\nRoth, David M. \u201cDon Voisine@Gregory Lind,<\/a>\u201d Square Cylinder, September 30
\nTurner, Cherie Louise. \u201cDon Voisine<\/a>,\u201d\u00a0 Visual Art Source, October
\nArt Enthusiast, \u201cDon Voisine<\/a>,\u201d Art Enthusiast, October 7
\nCheng, Dewitt. \u201cDon Voisine, \u2018Paintings\u2019 at Gregory Lind Gallery,<\/a>\u201d Art Ltd, November
\nKalina, Richard. \u201cThe Four Corners of Painting<\/a>,\u201d The Brooklyn Rail. Dec. 12 \u2013 Jan. 13
\n<\/strong>
\n2011
\nGreen, Nancy. Catalogue for \u201cSplendor of Dynamic Structure: Celebrating 75 Years of the American Abstract Artists,\u201d
\nHerbert F. Johnson Museum, Cornell University, Ithaca,<\/em> NY
\nCheng, Dewitt. \u201cHigh Def,<\/a>\u201d Art Ltd. Magazine, January 20
\nDe Vries, Heidi J. \u201cHigh Def,\u201d Engineer\u2019s Daughter (blog), January 23
\nGrisanti, Susan. \u201cCurrent Work,\u201d Maine Home + Design, April
\nMattera, Joanne. \u201cRhomboid Rumba<\/a>,\u201d Joanne Mattera Art Blog, May 11
\nPape, Sky. \u201cDon Voisine at McKenzie Fine Art<\/a>,\u201d Drawn Together (blog), <\/em>May 20
\nPanero, James. \u201cGallery Chronicle,<\/a>\u201d The New Criterion, <\/em>June
\nVartanian, Hrag. \u201cMail Art Bulletin: The Unlikely Mail Artist<\/a>,\u201d Hyperallergic (blog), June 16
\nHaber, John. \u201cGoing Nowhere Fast,<\/a>\u201d Haberarts (blog), <\/em>July
\nLittle, Carl. \u201c2011 Portland Museum of Art Biennial,\u201d Artnews, September
\nGreenleaf, Ken. \u201cDon Voisine: New Paintings,\u201d Art New England, September\/October
\nMaine, Stephen. \u201cThe Reductive Expands: MINUS SPACE will move from 175 feet in Gowanus to a Dumbo loft,\u201d<\/a> Artcritical.com, September 12
\nGreenleaf, Ken. \u201cDon Voisine\u2019s careful placements at Icon<\/a>,\u201d The Portland Phoenix, September 21
\nDiehl, Carol. \u201cDon Voisine,<\/a>\u201d Art in America, <\/em>October
\nMacAdam, Barbara. \u201cAmerican Abstract Artists,\u201d Artnews, <\/em>October<\/p>\n

2010
\nSchira, Ron \u201cDiscovering the illusion in abstraction,\u201d<\/a> Reading Eagle, March 21
\nSchira, Ron. \u201cAfter 21 Years, NAP\u2019s \u2018Small Works\u201d Still Intrigues,\u201d Reading Eagle, June 27
\nFalzano, Rebecca. \u201cCraft of Maine,\u201d Maine Home + Design, <\/em>July
\nMattera, Joanne. \u201cMy New Best Friends,\u201d Joanne Mattera Art Blog, <\/em>October 8<\/p>\n

2009
\nPatalano, Heidi. \u201cGet on the Gallery Beat,\u201d Metro, March 26
\nCohen, David. \u201cLinda Francis, Don Voisine, Joan Waltemath, Michael Zahn,\u201d <\/a>Artcritical.com, April
\nGolden, Deven. Catalogue essay for exhibition at McKenzie Fine Art, New York
\nGoodrich, John. \u201cDon Voisine,\u201d City Arts NY, May
\nCorio, Paul. \u201cDon Voisine at McKenzie Fine Art,\u201d No Hassle at the Castle <\/a>(blog) May 12
\nAlexander, Steven. \u201cDon Voisine at McKenzie,\u201d Steven Alexander Journal<\/a> (blog) May 31
\nLa Rocco, Ben and Olson, Craig. \u201cDon Voisine with Ben La Rocco and Craig Olson,\u201d<\/a> The Brooklyn Rail, June
\nMattera, Joanne. \u201cDon Voisine at McKenzie Fine Art,\u201d Joanne Mattera Art Blog,<\/a> June 13,
\nLangley, Matthew. \u201cDon Voisine at McKenzie Fine Art,\u201d Matthew Langley Weblog,<\/a> June 18,
\nConnor, Jill. \u201cDon Voisine at McKenzie Fine Art,\u201d Art Quips<\/a> (blog), August 1,
\nBennett, Kim. \u201cDon Voisine at Gregory Lind Gallery,\u201d Article (blog)<\/a>, November 7,
\nGreenleaf, Ken. \u201cSimple and Distinct, Sold, Serious Abstractions at CMCA,\u201d The Portland Phoenix<\/a>, November 11
\nIsaacson, Philip. \u201cThe Artist\u2019s Path,\u201d Portland Press Herald, Maine Sunday Telegram, November 15,
\nHallard, Brent. \u201cAnimated Icons of Color-Don Voisine,\u201d <\/a>Visual Discrepancies (blog), December 15<\/p>\n

2008
\nMattera, Joanne. \u201cOn the Geometric Trail: Part Five,\u201d Joanne Mattera Art Blog<\/a>, February 9
\nQuinlan, Cathy Nan. \u201cShape Shifters: New York Painters,\u201d Artcritical.com, May
\nBeem, Edgar Allen. \u201cMaine in the Abstract: Four Painters Internalize the Pine Tree State,\u201d Yankee Magazine.com, July 24
\nGriffin, Nora. \u201cTensegrity,\u201d Artcritical.com<\/a> Magazine, August
\nChandler, Mary. \u201cStrong Lines Connect Works,\u201d Rocky Mountain News, December 25<\/p>\n

2007
\nGoodrich, John. \u201cMark Dagley & Don Voisine,\u201d The New York Sun, January 25
\nGreen, Tyler. \u201cMiami Picks,\u201d Modern Art Notes <\/a>(blog), December 12<\/p>\n

2006
\nLong, Jim. \u201cR-Value,\u201d brochure essay for exhibition at Abaton Garage, Jersey City, NJ
\nBrennan, Michael. \u201cArt Seen<\/a>,\u201d The Brooklyn Rail, May
\nGlueck, Grace. \u201cPresentational Painting III,\u201d The New York Times, April 7
\nMaine, Stephen. \u201cPainting Presentation,\u201d Artnet.com, <\/a>April 7
\nEvertz, Gabriele; Cox, John; and Ryan, Abbey. Catalogue for Presentational Painting III, Times Square Galleries, Hunter College,\u00a0 New York
\nCarroll, James. F. L. \u201cInterview on New Arts Alive,\u201d New Arts Program\/Berks Community Television, February 28
\nWilkin, Karen.\u00a0 \u201cGallery Chronicle,\u201d The Hudson Review Vol. 58, No. 4, Winter<\/p>\n

2005
\nKeane, Dan. \u201cLiving History,\u201d NY Arts Magazine, November\/December
\nSaltz, Jerry. \u201cOdd Artist Out, Chris Martin,\u201d The Village Voice, October 12
\nWilson, Beth E. \u201cAbstract Thought,\u201d Chronogram, October
\nNaves, Mario. \u201cI See a Canvas and I Want It Painted Black,\u201d New York Observer, August 1
\nThompson, Chris. \u201cFishlike Fish \u2018Sublime Geometries: CMCA at Portland\u2019 at June Fitzpatrick,\u201d Portland Phoenix, February 23<\/p>\n

2004
\nIsaacson, Phillip. \u201cEye on Collection, Insight into Collector\u2019s Eye,\u201d Maine Sunday Telegram, December 4<\/p>\n

2002
\nVerderamme, Dr. Lori. Catalogue for Abstract Dilemmas: American Abstract Artists, Martin Art Gallery, Muhlenberg College, Allentown, PA<\/p>\n

2001
\nBaird, Daniel. \u201cThe Painting Center: Repetition in Discourse,\u201d The Brooklyn Rail, October\/November
\nBeem, Edgar Allen. \u201cUnusually Abstract in Wiscasset,\u201d Maine Times, August 16
\nLombardi, D. Dominick. \u201cInaugural Exhibition for Gallery in Beacon,\u201d The New York Times, April 22
\nFrost, Adrian. \u201cCollaborative Concepts,\u201d Chronogram, March<\/p>\n

2000
\nBraff, Phyllis. \u201cPunk & Bloat,\u201d The New York Times, December 10
\nArning, Bill. Catalogue for Punk & Bloat, Molloy College, Rockville Centre, NY
\nPrice, Joan Webster. Catalogue for Toward the New: American Abstract Artists,
\nHillwood Art Museum, Long Island University, C.W. Post Campus, Brookville, NY<\/p>\n

1998
\nNahas, Dominique. \u201cDon Voisine at Margaret Thatcher,\u201d Review, May 15<\/p>\n

1991
\nBeem, Edgar Allen. \u201cThe Ontological Status of Art and Aroostook, Maine Times, September 20<\/p>\n

1990
\nFrank, Peter. \u201cReconstructivist Painting,\u201d Art Space, March\/April
\nArtner, Alan. \u201cVoisine Paintings Add Up as Assured Works,\u201d Chicago Tribune, February 9
\nFrank, Peter. \u201cRekonstruktivismus-Neomoderne Abstraktion in den Verenigten Staaten,\u201d Kunstforum, January\/February<\/p>\n

1988
\nMcCrackin, David. \u201cNew York Artists Have the Abstract Edge,\u201d Chicago Tribune, July 8<\/p>\n

1987
\nHolg, Garrett. \u201cDon Voisine,\u201d New Art Examiner, May
\nArtner, Alan. \u201cDon Voisine\u2019s Simple Geometry is Masterful,\u201d Chicago Tribune, March 20<\/p>\n

1986
\nIndiana, Gary. \u201cArt Picks,\u201d The Village Voice, March 19<\/p>\n

1985
\nFrank, Peter. Catalogue for American Abstraction: 4 Currents, Louis Meisel Gallery,\u00a0 New York, NY
\nZimmer, William. \u201cCity Without Walls \u2013 Objects of Comfort,\u201d The New York Times, April 14<\/p>\n

1984
\nZabel, Barbara and Zimmer, William. Catalogue for Small Works: New Abstract Painting, Muhlenberg College, Allentown, PA<\/p>\n

1980
\nBradford, Katherine. \u201cDon Voisine,\u201d Downtown Review, Fall
\nPoroner, Palmer. \u201cDon Voisine,\u201d Art Speak, September 11<\/p>\n

1978
\nBradford, Katherine; Lippard, Lucy; and Voisine, Don. \u201cGrassroots-Concrete Roots,\u201d Vision, December<\/p>\n

1974
\n\u201cThree Painters Exhibit,\u201d Portland Evening Express, April 22<\/p>\n

Stephen Vincent Ko<\/div>\n

EDUCATION<\/strong><\/p>\n

1976 Rochester Institute of Technology, Rochester, New York
\n1974 Haystack Mountain School of Crafts, Deer Isle, Maine
\n1973 – 74 Concept School of Visual Studies, Portland, Maine
\n1970 – 73 Portland School of Art, Portland, Maine<\/p>\n

PUBLIC COLLECTIONS<\/strong><\/p>\n

About Change, Collection, Rottach-Egern at Tegernsee, Germany
\nKatzen Arts Center, American University, Washington, DC
\nArt in Embassies Program, United States Department of State, Washington, DC
\nBerkeley Art Museum and Pacific Film Archive, University of California, Berkeley, California
\nCleveland Museum of Art, Cleveland, OH
\nCincinnati Art Museum, Cincinnati, OH
\nColby College Museum of Art, Waterville, ME
\nNational Academy Museum, New York, NY
\nMetropolitan Museum of Art, Print Department, New York, NY
\nMinneapolis Institute of Art, Minneapolis, MN
\nMissoula Art Museum, Missoula, MT
\nMondraanhuis, Amersfoort, Netherlands
\nSpecial Collection of the Library, Museum of Modern Art, New York, NY
\nNorthern New England Museum of Cotemporary Art, Burlington, VT
\nNeuberger Berman, New York, NY
\nNew York Public Library, NY
\nPeabody Essex Museum, Salem, MA
\nPhillips Collection, Washington, DC
\nPortland Museum of Art, Portland, ME
\nSan Jose Museum of Art, San Jose, CA
\nStiftung Konzeptuelle Kunst, Soest, Germany
\nPermanent Collection, Texas State University, San Marcos, TX
\nUnited States Embassy, Annex, Beijing, China
\nUniversity of Maine at Fort Kent, Fort Kent, ME
\nJoel and Lila Harnett Print Study Center, University of Richmond Museum, Richmond, VA
\nThe Frances Mulhall Achilles Library, Whitney Museum of American Art, New York, NY
\nYale University Art Gallery, New Haven, CT
\nZimmerli Museum, Rutgers University, New Brunswick, NJ<\/p>\n

ASSOCIATIONS<\/strong><\/p>\n

American Abstract Artists
\n<\/a>Member since 1997
\nPresident, 2004-2012<\/p>\n

National Academy 2010-present<\/p>\n

AWARDS<\/strong><\/p>\n

2025 Monson Arts Award, Monson, ME
\n2023 Honorary PhD of Humane Letters, University of Maine at Fort Kent, Fort Kent, ME
\n2022 Surf Point Foundation Residency, York, ME
\n2019-21 The Sharpe-Walentas Studio Program, Brooklyn, New York.
\n2018 Artist Fellow in Painting Finalist, New York Foundation for the Arts
\n2011 Purchase Prize, Portland Museum of Art, Portland, ME
\nHassam, Speicher, Betts and Symons Purchase Fund Award, American Academy of Arts and Letters, New York, NY
\n2010 Bau Institute Fellowship, Aragonese Castle, Otranto, Italy
\n2008 Henry Ward Ranger Fund Purchase Award, National Academy Museum, New York
\n2006 Artist\u2019s Fellowship, New York Foundation for the Arts
\n2004 Edward Albee Fellowship, Montauk, NY
\n2000 Honorary BFA, Maine College of Art, Portland, ME<\/p>\n","protected":false},"excerpt":{"rendered":"

DON VOISINE SOLO and TWO PERSON EXHIBITIONS 2027 McKenzie Fine Art, New York, NY (upcoming) 2025 McKenzie Fine Art, New York, NY “enact\/re(d)act” 2024 Cove Street Arts, Portland, ME “Now Away” 2023 McKenzie Fine Art, New York, NY 2022 Robischon Gallery, Denver, CO (catalogue) Pazo Fine Art, Kensington, MD \u201cThe Spaces In Between, Ruri Yi […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":6,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-2","page","type-page","status-publish","hentry"],"aioseo_notices":[],"aioseo_head":"\n\t\t\n\t\n\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t